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PUBLISHERS NEED INFORMATION
The first thing to remember is that
journalists, editors and online publishers
need information. They need it provided in a way that will make their job easier, not harder.
So only send information which is news - and current news.
IDENTIFY THE GOOD NEWS
Send news which shows your business in a good light: order announcements, personnel appointments, announcements of major contracts and case studies showing your product and service being used to best advantage by your customers.
Look for opportunities to write or comment
on other topics affecting your business.
MAKE SURE IT'S RELEVANT
When you write a press release send it only to those
who are likely to be interested.
For instance, a glossy life-style magazine
is unlikely to cover an order announcement from an engineering company, and
your local radio station probably won't want to know that your Scottish division has appointed a new personnel manager.
If an editor gets used to 'binning' your press releases, he might miss the one that really is newsworthy.
So, before you start writing think: "Is this likely to be of interest to anyone other than me?"
THE FIRST DRAFT
Given that the story is worth writing, start with a rough draft. Write one paragraph (just a couple of sentences will do), on WHAT the news is about.
Then another on WHY it's news.
Write another each on HOW and WHEN.
Decide which of the paragraphs is most important and arrange them
in order of interest. (Editors edit from the bottom up.)
Add more information; each successive paragraph should contain more detail.
You can repeat and emphasise things - say them in different ways - but the more important the facts, the nearer the top they should be.
Finally write the first paragraph which should contain answers to all the four questions in the maximum of two sentences - but preferably one.
Add a quote after all the vital information if you want,
eg: Susan Margaret of Taurus Public Relations says, "This
guide is the best thing since sliced bread!"
If you want people to contact you, put the details in the final paragraph, but note: an editor may not always use this if
it is blatant advertising.
On the bottom of the last page include a contact name, address, telephone and fax number, e-mail and web site, so that a journalist can contact you if there are any questions
left unanswered.
If you can think of a witty headline, it won't do any harm but keep it short, sharp and to the point - and be prepared for
an editor to disregard it
completely.
THINK ABOUT PRESENTATION
If you are emailing it is best to put the
text into the body of a text email.
The less formatting that it contains, the
easier it is for an editor to cut, paste
and use the content. Clearly state the
subject matter in the title and if you
attach a photograph, it is best to send a
medium-sized jpg. Put a note at the bottom to
indicate that a higher resolution image is
available on request.
Unsolicited press releases sent as
attachments may never be read.
The traditional way to present press
releases was in 1.5 line spacing on the company's headed paper so that the text
could be easily read and edited. Most
editors now work from email and electronic
images.
If you do print a release on paper (which
you might wish to do for the press office
at an exhibition), at the top state 'Press Release' or 'Press Information' and number the
pages. Show when the text continues to another page and when it ends. If you are not sending an
illustrative image with the release but one is available, say so at the bottom.
TAKE ANOTHER LOOK
When you've written your press release and you are sure that it can't be improved upon, take a break before you look at it again. Remove all unnecessary words or phrases - leave style up to the editor. Remove
any claims that you cannot substantiate.
Double check that you've answered the four basic questions and
then ask someone else to read it through
in case you have made any grammar or spelling errors. Leave
it for a day or two if that is possible
and then come back to it and check it
again.
ADD A PICTURE
A photograph can greatly increase the
likelihood of publication. Digital
picture
resolution should be a minimum of 300 dpi. Give the digital file a
sensible name, one which describes the
photograph. Include at the bottom of
the press release a description of the
image, and the names of any people or
products shown in it.
When using a 'hard' copy photo
7" x 5" in gloss is generally
acceptable. Label the photograph on
the back.
MAKE SURE EVERYONE IS HAPPY AND APPROVES
Before you think about distributing your press release examine it closely to see if there's any information in it that will require third-party approval. Photographs need approval too.
A case-study, for instance, will require the approval of your
customer. If you have quoted a third
party, you will need to ensure that they
are happy with the quotation.
Send a copy of the press release and the photograph if you have one, ask them to check it and
reply to show they've approved the content for issue to the media.
SENDING IT OUT
If sending by email, ideally you should
use separate emails for each publication.
For a paper press release
address it clearly to the editor by name, followed by the publication and then the address.
COLOUR SEPARATION AND EDITORIAL CHARGES
If you've distributed your press release with a photograph, you may find that you'll be asked
by trade publication publishers to pay for
'colour separation' of the picture or some
other editorial charge or contribution. Such requests are for sums in the region of £100. If you don't pay you may still get your piece published but if you do pay, then your
news is guaranteed to appear. Be aware
however that your carefully crafted prose
may be edited down to as little as 80
words.
WHAT IF IT'S NOT PUBLISHED OR BROADCAST?
Don't be disillusioned if you don't succeed - try again. Try talking to the editor and find out when there's a relevant feature coming up and ask for a timetable of features to be sent to you.
A well-timed piece of editorial copy often has a better chance of publication.
Make a friend of the editor, but don't nag, chivvy, cajole or otherwise make a nuisance of yourself. That will do your cause more harm than good.
SOME WORDS OF WISDOM
Press releases should never be regarded as works of lofty literary merit.
The intention of a press release is to not to give an editor profound intellectual stimulation, but to present facts which may, or may not, be used in
the publication.
The choice of whether or not publish is down to the editor, not you.
An editor or news
desk can receive literally hundreds of press releases every
day. Just seconds will be spent on
making a decision on whether or not to
read a release - and that's before any
decision is made on its content.
In the same way that we don't believe everything we read in the papers, an
editor is not obliged to believe everything in a
release.
CARDINAL SINS
Ask any editor what's wrong with most of the press releases received and you'll hear the following list:
IRRELEVANT - The information is extraneous to the publication or media, and of no interest to readers.
OVER-LONG - The editor can't be bothered, or spare the time, to read
and edit long and rambling text.
BADLY PRESENTED - The text is laid out in such a way that it's difficult to read at a glance or worse still it came as an
email attachment complete with an enormous
image file.
BADLY WRITTEN - Poor grammar, cumbersome syntax.
NO SUBSTANCE - The release is saying nothing new to the readers; it's mere 'puffery'
NO CREDIBILITY - The release is making excessive claims that can't be substantiated.
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You are invited to 'cut & paste' and copy this information as long as any reproduction carries with it an acknowledgement and the name,
address and contact details of Taurus Public
Relations as shown below:
© Taurus Public Relations 2009
This guide has been brought to you by Taurus Public Relations, 9 Stratford Arcade, High Street
Stony Stratford, Milton Keynes MK11 1AY UK
pr@tauruspr.co.uk
www.tauruspr.co.uk
Tel: + 44 1908 265774 |